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New Order - Power, Corruption & Lies download album

  • Performer: New Order
  • Album: Power, Corruption & Lies
  • FLAC: 1964 mb | MP3: 1665 mb
  • Released: 1983
  • Country: UK
  • Style: New Wave, Synth-pop
  • Rating: 4.6/5
  • Votes: 500
  • Format: VOX WMA ASF MOD DXD MP1 AA
New Order - Power, Corruption & Lies download album

Открывайте новую музыку каждый день. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией.

The album features more electronic tracks than their 1981 debut Movement, with heavier use of synthesisers. It was included in the top 100 albums of the 1980s lists in both Rolling Stone and Pitchfork Media

Power, Corruption and Lies. Released May 2, 1983. Power, Corruption and Lies Tracklist. 1. Age of Consent Lyrics. Power, Corruption & Lies (Ft. Peter Saville) Lyrics. About Power, Corruption and Lies. Taking a huge cleanup after the goth power of Movement, Power, Corruption, and Lies tells us through it’s minimalistic pile of roses that looks can be deceiving. While Blue Monday was only on the American version, the biggest-selling 12" single wasn’t just noticeable here. Ecstasy points to reminiscence of Joy Division and the drug itself, while 5 8 6 starts slow but quickly gains momentum. Leave Me Alone has borrowed again from Joy Division’s Transmission, while.

Power, Corruption & Lies. Авторы текста и музыки. Peter Hook, Gillian Gilbert, Stephen Morris, Bernard Sumner. WMG (от лица компании "Factory"); CMRRA, UMPG Publishing, LatinAutor - UMPG, UMPI, UBEM, LatinAutor, ASCAP" и другие авторские общества (6). Композиция.

With its electronic-based sound it marks the definitive turning away from the rather gloomy predecessor and the Joy Division legacy. The album was included in the top 100 albums of the 1980s lists in the Rolling Stone magazine. The inner sleeve features a reproduction of the painting "A Basket of Roses" by French artist Henri Fantin-Latour, found by Saville on a postcard bought at the National Gallery. His then girlfriend Martha Ladly (of Martha & The Muffins) asked him if he was going to use it for the cover and he then realised it was indeed a great idea.

When you're asked what your favourite album is, do you pick something impressive to show how smart you are? Or perhaps you plump for a record full of poetry, that says lots about your deeply interesting personality. I always go for a record I reach for whatever the mood or weather, full of naive, off-key vocals, keyboards riffs that wear their influences heavily, whose best song culminates in the lyric: "I caught you at a bad time/ So why don't you piss off?" Power, Corruption & Lies was released in May 1983

Interesting fact: Peter Saville‘s design for the album had a colour-based code to represent the band’s name and the title of the album, The decoder for the code was featured prominently on the album’s back cover of and can also be used for the Blue Monday and Confusion singles and for Section 25‘s album From the Hip (which.

Album · 1983 · 8 Songs. They emerged from Joy Division's ashes a bolder, more inventive band, balancing the last vestiges of post-punk gloom with pulsing synths and drum machines that signalled the dawning of a new era. The band's melodic sensibility was never sharper than it is here, and their mix of emotions was never more exquisitely bittersweet. The worldwide club hit "Blue Monday", meanwhile, sealed their reputation as dance-music visionaries.

Power, Corruption and Lies exists in the shadow of two remarkable singles: "Temptation" and "Blue Monday". The first had established the band's emotional signature: a bittersweet rush of hard-won, inarticulate bliss. Many of their most glorious tracks- "Bizarre Love Triangle", "Run", "Your Silent Face", "Thieves Like Us"- feel like returns to the well "Temptation" dug, which makes it even more perverse that the 1987 re-recording of that track is an absentee here: The original's greatness is rougher-edged. There's plenty of drama here, but the album's two stand-out tracks are best heard in their bonus-disc extended versions.

Tracklist

A1 Age Of Consent
A2 We All Stand
A3 The Village
A4 5 8 6
B1 Your Silent Face
B2 Ultraviolence
B3 Ecstasy
B4 Leave Me Alone

Companies, etc.

  • Record Company – GAP Records
  • Published By – Be Music
  • Manufactured By – CBS Records Australia Limited
  • Distributed By – CBS Records Australia Limited

Credits

  • Design [Uncredited] – Peter Saville
  • Engineer – Michael Johnson
  • Engineer [Assistant] – Barry Sage, Mark Boyne
  • Lacquer Cut By – Δ
  • Painting [Roses] – Fantin-Latour*
  • Producer – New Order

Notes

White labels with black print and statement "This record is manufactured for the purpose of promotion only. It remains the property of CBS Records Australia Limited and is not for sale."

In unstickered picture sleeve.

Published by Bemusic 1983
A Factory Record
A GAP Records Release
M & D by CBS Records Australia Limited

Barcode and Other Identifiers

  • Matrix / Runout (Side A - stamped): FACT 75-1 · Δ MX 202598
  • Matrix / Runout (Side B - stamped): FACT 75-2 · Δ MX 202599

Other versions

Category Artist Title (Format) Label Category Country Year
FACT 75 New Order Power, Corruption & Lies ‎(LP, Album) Factory FACT 75 UK 1983
520 019-2 New Order Power, Corruption & Lies ‎(CD, Album, RE, RP, UK ) London Records 520 019-2 UK 1998
FACTUS 12 New Order Power, Corruption & Lies ‎(LP, Album, TP) Factory (US) FACTUS 12 US 1983
none New Order Power, Corruption & Lies ‎(2xAcetate, LP, S/Sided) Qwest Records none US 1985
30212 New Order Power, Corruption & Lies ‎(CD, Album) Factory 30212 France 1987

Tracklist

A1 Age Of Consent
A2 We All Stand
A3 The Village
A4 5 8 6
B1 Your Silent Face
B2 Ultraviolence
B3 Ecstasy
B4 Leave Me Alone

Companies, etc.

  • Phonographic Copyright (p) – London Records 90 Ltd.
  • Copyright (c) – London Records 90 Ltd.
  • Published By – Be Music
  • Lacquer Cut At – Metropolis Mastering
  • Pressed By – Optimal Media Production – B973714

Credits

  • Artwork – Peter Saville
  • Engineer – Michael Johnson
  • Engineer [Assistant] – Barry Sage, Mark Boyne
  • Lacquer Cut By – Frank* (tracks: A1 to A4), F.A.* (tracks: B1 to B4)
  • Painting [Cover Painting] – Fantin-Latour*
  • Producer – New Order

Notes

Published Be Music
℗ 1983 London Records 90 Ltd.
© 1983 London Records 90 Ltd.

Includes a code to download MP3 version of this album.

Barcode and Other Identifiers

  • Barcode (On rear sleeve): 0 825646 888054
  • Matrix / Runout (Side A etchings): B973714-01 A1 FRANK METROPOLIS
  • Matrix / Runout (Side B etchings): B973714-01 B1 F.A.

Other versions

Category Artist Title (Format) Label Category Country Year
FACT 75 New Order Power, Corruption & Lies ‎(LP, Album) Factory FACT 75 UK 1983
520 019-2 New Order Power, Corruption & Lies ‎(CD, Album, RE, RP, UK ) London Records 520 019-2 UK 1998
FACTUS 12 New Order Power, Corruption & Lies ‎(LP, Album, TP) Factory (US) FACTUS 12 US 1983
none New Order Power, Corruption & Lies ‎(2xAcetate, LP, S/Sided) Qwest Records none US 1985
30212 New Order Power, Corruption & Lies ‎(CD, Album) Factory 30212 France 1987