Bach - Charles Rosen - Late Keyboard Music Of Bach download album
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Bach: The Last Keyboard Works - Charles Rosen. Открывайте новую музыку каждый день. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией
Johann Sebastian Bach. Chorale: Joy & Peace, BWV 512. 1:01. 1-3. –Johann Sebastian Bach. Musette In D Major, BWV Anh. 126. 1:00. 1-4. Minuet In G Major, BWV Anh. 116. 2:26. 1-5. Other Versions (2 of 2) View All. Cat.
Exclusive discount for Prime members. Sample this album Artist (Sample). Like a lot of Bach, you can never quite predict what is going to follow, but the result was deightful and I wish it could have gone on for longer. I must be the only person who actually associates this German composer with the smell of Eucalyptus trees, and the other smells of a hot Australian night, but there he was, travelling with us, all down the road.
One disc features Rosalyn Tureck’s Bach Album, an early-1981 digital production made up mostly of short pieces, plus the Aria and Variations in Italian Style. The close-up yet warm sonics capture the full measure of Tureck’s technical specificity, subtle use of color, and micromanaged dynamics. Notice her absolute linear control in the F minor suite’s Prelude (first sound clip), or how her seemingly over-detached articulations (the seventh Italian variation) always maintain a lilting presence. Rosalyn Tureck, Charles Rosen - . Bach: The Keyboard Album (featuring The Italian Concerto and The Art of Fugue) (1997). Date: 4 Feb 2017 07:11:53. Bach: The Keyboard Album (featuring The Italian Concerto and The Art of Fugue) (1997) EAC FLAC (tracks+. cue, log) Covers Included 02:20:08 568 MB Genre: Classical Label: Sony Classical Catalog: 63231.
Disc 2 offers Charles Rosen’s 1967 traversal of The Art of Fugue, which first appeared on Columbia Masterworks’ budget Odyssey label as part of a three-LP set that also included the Goldberg Variations and the two Ricercars from The Musical Offering. Sony’s vibrant digital remastering reveals Rosen to have possessed a fuller, more colorful piano tone than my well-worn LPs conveyed. His discreet use of the sostenuto pedal at the end of Contrapunctus VI also lends extra clarity and tension to the music’s linear build. For the three voice mirror fugues Rosen plays Bach’s versions for two keyboards that incorporate an extra freely-composed line.
Indeed, C. P. E. Bach and Gluck are often considered founders of the Classical style. The first great master of the style was the composer Joseph Haydn. In the late 1750s he began composing symphonies, and by 1761 he had composed a triptych (Morning, Noon, and Evening) solidly in the contemporary mode. At the time, before the pre-eminence of Mozart or Beethoven, and with Johann Sebastian Bach known primarily to connoisseurs of keyboard music, Haydn reached a place in music that set him above all other composers except perhaps the Baroque era's George Frideric Handel. Haydn took existing ideas, and radically altered how they functioned-earning him the titles "father of the symphony" and "father of the string quartet".
Contrapunctus VIII, a 3. Charles Rosen. 2. Contrapunctus IX, a 4, alla Duodecima. 3. Contrapunctus X, a 4, alla Decima. 4. Contrapunctus XI, a 4. 5. Contrapunctus XII a 4 (rectus). 6. Contrapunctus XII, a 4 (inversus).
The Keyboard Music of . Bach provides an introduction to and comprehensive discussion of all the music for harpsichord and other stringed keyboard instruments by Johann Sebastian Bach (1685-1750). Often played today on the modern piano, these works are central not only to the Western concert repertory but to musical pedagogy and study throughout the world.
Music, music and more music. Goldberg Variations, BWV 988. The Goldberg Variations, BWV. 988, are a set of 30 variations for harpsichord by Johann Sebastian Bach. First published in 1741 as the fourth in a series Bach called Clavier-Übung, "keyboard practice", the work is considered to be one of the most important examples of variation form. It is named after Johann Gottlieb Goldberg, who may have been the first performer.
|A1||Ricerca In Six Voices • Ricerca In Three Voices|
|Art Of Fugue|
|A2||Fugue 1 • Fugue 3 • Fugue 2 • Fugue 4|
|Art Of Fugue (Continued)|
|B1||Fugue 5 • Fugue 6 • Fugue 7|
|B2||Fugue 10 • Fugue 9|
|B3||Fugue 8 • Fugue 11|
|Art Of Fugue (Conclusion)|
|C1||Mirror Fugue For Two Pianos No. 1|
|C2||Mirror Fugue For Two Pianos (Inverse)|
|C3||Mirror Fugue No. 2 And Inverse|
|C4||Canon No. 2 • Canon No. 1 • Canon No. 3 • Canon No. 4|
|C5||Fugue No. 15|
|The Goldberg Variations|
|D||Theme Through Variation 11|
|The Goldberg Variations (Continued)|
|E||Variation 12 Through Variation 22|
|The Goldberg Variations (Conclusion)|
|F||Variation 23 Through End|
- Composed By – Johann Sebastian Bach
- Piano – Charles Rosen
|32 36 0020||Johann Sebastian Bach, Charles Rosen||Johann Sebastian Bach, Charles Rosen - The Last Keyboard Works (3xLP, Album + Box)||Columbia, Odyssey||32 36 0020||US||1969|
|32 36 0020||Johann Sebastian Bach, Charles Rosen||Johann Sebastian Bach, Charles Rosen - The Last Keyboard Works (3xLP, RE + Box)||Columbia, Odyssey||32 36 0020||US||Unknown|